Sony C100

Setting new standards for the 100 seriesGiving creators and artists new wide-range microphones that meet production standards (24bit/96kHz). It is the beginning of the 100 series, the first recording microphones since the C37A and C800G were released 60 and 26 years ago.A tradeoff is usually found between bandwidth and sensitivity, but both qualities are essential to offer both a wide frequency response of 20 Hz50 kHz, without attenuation, and the ample sensitivity needed in studio microphones. This quest led to the development of wholly new capsules, and in the side-address C-100, the range is covered by a two-way capsule design.Unprecedented miking characteristics from a quest for super wide-range mics that come alive in any formatDevelopment of capsule in pursuit of the conflicting goals of unattenuated 20 Hz50 kHz frequency response and ample sensitivity led to unprecedented characteristics. Transient response is excellent, and feels consistent across the vast range, and both lows and highs are clear and open. Sound also feels more substantial, thanks to the addition of a large, newly developed 25 mm diaphragm in the C-100. Here, we introduce a few of these characteristics that professionals will want to add to their ideal recording setup.Vocal RecordingOne listen, and the realism and clarity of vocal performances will be apparent. Pitch and sibilance are very clear, which eliminates the need to emphasize lyrics in mixing. Also a good match for rap and narration, it is an easy mic to recommend to current C800G users. This is not the type of mic that colors or emphasizes mids. Instead, mids are manageable without being overemphasized, unlike other mics prone to unpleasant midrange overlaps. Characteristics of chained instruments are captured quite well. The mic picks up a large range of harmonics, which promises captivating results from placement at a distance. With more skilled vocalists, it is an easy mic to try advanced techniques with.Musical instrument RecordingCharacteristics of the mic capture a rich array of harmonics that clearly reveal not only performances but even instrument parts and the condition or humidity of materials. Responsive diaphragms prevent harshness and distortion even in vigorous performances. The attack of percussion, the shimmer of metal instruments, guitar fingering, and piano performances can be captured with exceptional realism. Accuracy of lows is also noteworthy. Even if you use a familiar microphone with a suitable sound signature for the instruments, setting the additional 100 series will open up new possibilities.Ambience and AirFrom these descriptions, it is also easy to imagine how the mic excels at capturing the air of the recording environment, acoustics of studios or concert halls, and ambience. This will tempt you to explore a variety of miking techniques: accent, room, ambient, and overhead for drums. Since even subtle sounds are picked up well, you may get the impression that the mic is placed closer to the source than usual. This also means that it can capture quite a lot of sound within the range of its directivity.TechnologyA quest for lower acoustic impedance, wide frequency response, and ample sensitivityFeaturing the same construction as C800G to eliminate noiseConstruction with various metal materials of different resonant frequencies reduces unwanted vibration.1. Zinc alloy2. SWRM:Steel Wire Rods Mild0.612MESH3. Aluminum alloy4. PSUHigh rigidity and large attenuation rate of vibration.Considering effect on high range sound and muffling.Whatever youre watching, youll enjoy a silk-smooth on screen look in fast-moving action sequences with Motionflow. This innovative technology creates and inserts extra frames between the original frames.Whatever youre watching, youll enjoy a silk-smooth on screen look in fast-moving action sequences with Motionflow. This innovative technology creates and inserts extra frames between the original frames.5. C2600+CR Rubber(70)6. CAC403Realize energetic sound having core ensuring vibration prevention. Shock damper with rubber as same as C-800G.Integrate internal chassis considering strength, rigidity and mechanical earth.Main Features:Standard & high-resolution recordingSwitchable Polar Pattern – Omni, Cardioid, Bi-DirectionalDual capsule designFrequency response: 20 Hz to 50 kHz, -10dB Pad & Low-Cut FilterNoise elimination two-part metallic body structureSpecifications:General- Connector: XLR-3-12C (male)- Mic Cable: XLR 3-pin Cable Required (Not Supplied)- Power Requirements: DC 44 to 52 V- Mass: Approx. 290g (10.2oz.)- Dimensions: 40dia.175mm (1.57dia.6.89in.)Supplied Accessories- Cradle suspention (1)- Wind screen (1)- Stand screw adaptor (W3/8 to NS5/8) (1)- Operating instructions (1)- Carrying case (1)Audio Section- Capsule Type: 2 Way Microphone (Condenser + Back electret condenser)- Frequency Response: 20 Hz to 50 kHz- Directivity: Uni-directional / Omni-directional / Bi-directionalDynamic Range- (Uni-directional) 113 dB or more- (Omni-directional) 114 dB or more- (Bi-directional) 114 dB or moreSensitivity- (Uni-directional) -31 dB- (Omni-directional) -37 dB- (Bi-directional) -35 dBOutput Impedance- 9015%, BalancedSignal-to-Noise Ratio- (Uni-directional) 75 dB or more- (Omni-directional) 70 dB or more- (Bi-directional) 72 dB or moreInherent Noise- (Uni-directional) 19 dB SPL or less- (Omni-directional) 24 dB SPL or less- (Bi-directional) 22 dB SPL or lessMaximum Input Sound Pressure Level- (Uni-directional) 132 dB SPL- (Omni-directional) 138 dB SPL- (Bi-directional) 136 dB SPLNotes- [1] 0 dB = 1 V/Pa, at 1 kHz- [2] Output impedance at 1 kHz- [3] A-weighted, 1 kHz, 1 Pa.- [4] 0dB SPL = 20Pa.- [5] 0 dB SPL = 20Pa.- [6] The values for dimensions are approximate.